Monday, July 29, 2013

Interview with playwright Theroun Patterson


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Learn more about actor and playwright Theroun Patterson, winner of the 2011 Essential Theatre Playwriting Award and author of this Wednesday night’s Bare Essential play, That Uganda Play


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About That Uganda Play: I originally wrote the play in late 2011-early 2012 with a staged reading of the original draft with Working Title Playwrights and Academy Theatre in January 2012.  The play started as a sort of knee jerk reaction to reading an NPR interview with David Bahati, a Ugandan Member of Parliament that introduced his Anti-Gay Legislation, causing an uproar with Gay Rights groups because the Bill essentially criminalized homosexuality and would have allowed for unprecedented governmental persecution of gays.  The article simply made me angry.  I started writing to try and understand that type of hatred, to know where it came from, and perhaps to feel better about a my own frustrations about a prejudice that I can't control; that I can't stamp out on my own. With the virulent anti-homosexual sentiments and violence in Africa and recently with the legislation signed into law in Russia, this play is timely and a sheds light on a very American involvement with such a controversial figure like Bahati.  Not only that, but I wanted to ground the play within two families and show how a global problem works its way down into our most personal relationships.  Honestly I hope a theatre with an interest in starting a community dialogue about social issues will produce this play. My hope is that it provokes debate and conversations late into the night long after its over. 

About Theroun: I started as an actor, working for eleven years on Atlanta stages.  I started seriously writing plays in 2005, producing and directing my own readings with the help of generous peers that donated their time and talents.  In 2009, I joined Working Title Playwrights and wrote the first of four plays that year.  I've written a dozen full lengths since 2006.  I'm pleased to be working with Essential again after the production of my play A Thousand Circlets.

On the Bare Essentials Series: The reading series allows me the opportunity to refine the play and find new audiences for it to continue a dialogue generated by art.

What is it like to transition from acting to writing? As an actor, there was always an underlying anxiety about performing, but as a writer I have absolutely no fear.  I'm willing to learn in front of others, to continue to grow and experiment with story and structure.  Playwriting is the form of expression that fits me best as an artist. Acting is secondary to that.

Where can you look for Theroun’s next work? Next for me, is a production of fugitive:EROS and The Chemicals Between Us with Out of Box Theatre next season, as well as the production of Origin Story with Academy Theatre in their new home. I'm also about to start on a new commission with Pinch N Ouch Theatre as well as Mad Hope Theatre Project.

The Bare Essentials series is free and open to the public. Donations graciously accepted. Complimentary wine before and after the show. For more information on all the readings as well as the other plays in the festival, visit www.essentialtheatre.com

Monday, May 6, 2013

Power2Give and Connect with Deaf Audiences



"Connecting with Deaf Audiences" is Essential's initiative to reach out to deaf community members and share with them the same great theatre opportunities we've been sharing with the hearing members of our community for the past 25 years. This initiative consists of three main elements:
  1. One performance of each of the three plays that make up our festival will have sign language interpreters provided by StageHands, the premiere sign language interpreting organization for theatre in Atlanta.
  2. Following each signed performance will be a Meet the Playwright talkback which will also have an interpreter, allowing deaf audience members to not only enjoy the performance but also engage with other audience members and the artists involved in the production.
  3. A focus group will be created, consisting of deaf participants in each of the festival's signed shows and talkbacks. Findings from this focus group will be used to ensure that as we move forward, we develop programming and opportunities that are relevant, accessible and engaging to everyone. In addition to using the research generated by this focus group to improve the accessibility and inclusiveness of our own programming, we hope to share this information with others in the Atlanta theatre community so that the benefits of our research are as widespread as possible.
Initially motivated by our commitment to providing accessible programming, "Connecting with Deaf Audiences" seeks to go beyond accessibility for our deaf patrons and create programming that is inclusive and engaging.

To find out more about this summer's festival, visit www.essentialtheatre.com or find us on Facebook: www.facebook.com/NewPlays or Twitter @ATL_Essential.
To join the CDA focus group or if you're interested in sponsoring future programming of this nature, contact jennifer@essentialtheatre.com
Thank You
                                                                                        

Donor Benefits                             

  • Our power2give donors will be thanked publicly in our newsletter, social media and website as well as in signage displayed in the lobby for every performance during the festival.
  • Each donor will receive an ASL interpreted thank-you video from founding artistic director Peter Hardy at the time of their donation and a thank you video from the entire company once the project is fully funded.
  • Donors will receive updates on the results of our project this summer, including attendance information relating to the signed performances, a summary of our focus group findings and information about how our programming will develop to reflect these findings in the 2014 festival and beyond.
Project Detail | power2give
 
"Connecting with Deaf Audiences" is Essential's initiative to reach out to deaf community members and share with them the same great theatre opportunities we've been sharing with the hearing members of our community for the past 25 years. This initiative consists of three main elements:
  1. One performance of each of the three plays that make up our festival will have sign language interpreters provided by StageHands, the premiere sign language interpreting organization for theatre in Atlanta.
  2. Following each signed performance will be a Meet the Playwright talkback which will also have an interpreter, allowing deaf audience members to not only enjoy the performance but also engage with other audience members and the artists involved in the production.
  3. A focus group will be created, consisting of deaf participants in each of the festival's signed shows and talkbacks. Findings from this focus group will be used to ensure that as we move forward, we develop programming and opportunities that are relevant, accessible and engaging to everyone. In addition to using the research generated by this focus group to improve the accessibility and inclusiveness of our own programming, we hope to share this information with others in the Atlanta theatre community so that the benefits of our research are as widespread as possible.
Initially motivated by our commitment to providing accessible programming, "Connecting with Deaf Audiences" seeks to go beyond accessibility for our deaf patrons and create programming that is inclusive and engaging.

To find out more about this summer's festival, visit www.essentialtheatre.com or find us on Facebook: www.facebook.com/NewPlays or Twitter @ATL_Essential.
To join the CDA focus group or if you're interested in sponsoring future programming of this nature, contact jennifer@essentialtheatre.com
Thank you!

                                                                                                                                                             

Donor Benefits                             

  • Our power2give donors will be thanked publicly in our newsletter, social media and website as well as in signage displayed in the lobby for every performance during the festival.
  • Each donor will receive an ASL interpreted thank-you video from founding artistic director Peter Hardy at the time of their donation and a thank you video from the entire company once the project is fully funded.
  • Donors will receive updates on the results of our project this summer, including attendance information relating to the signed performances, a summary of our focus group findings and information about how our programming will develop to reflect these findings in the 2014 festival and beyond.

Friday, August 17, 2012

Essential Theatre Announces Literary Internship

Essential Theatre is seeking a select few interns for the fall semester. If interested, please
submit a resume and cover letter to the email indicated in the internship description below. To
learn more about Essential Theatre’s mission and work, check out our website
and look for us on Facebook. Class credit is available for all internships.
 

Literary Intern
We are looking for up to two literary interns to work with our artistic director to review
submissions to the 2013 Essential Theatre Playwrighting Competition.


We receive over 50 submissions each year, but only one will be awarded the cash prize and be produced in next summer’s festival. Learn about all the elements that go into the play selection process while significantly contributing to the shape of the next Essential Theatre Festival! We are hoping to reach a decision on the award by the end of October, so the majority of this internship will take place during September and October.


Interns will read and review plays and submit a brief report on each to Mr. Hardy for discussion.
Reports should include a brief synopsis, a list of merits and challenges that each play would
present if it were to be produced, and a brief statement expressing why the play should or
should not be chosen as the award winner. Reports may be submitted via email. Interns and Mr.
Hardy will meet periodically throughout the semester, via phone or in person, to discuss the
plays that have been reviewed. The number of plays each intern reviews will depend on the
number of credit hours sought for this internship.


To apply for this internship, please submit a resume and letter of interest to Peter Hardy at
pmhardy@aol.com
. Be sure to include “LITERARY INTERNSHIP” in the subject of your email!

Thursday, August 16, 2012

Essential Theatre Development Internships

We are looking for up to three interns to assist with grant writing and fundraising development during the fall semester. Gain valuable experience finding funding sources and creating grant applications.

Interns will join 
 the Fundraising Committee’s biweekly meetings and will assist with the tasks that are developed from these meetings. Tasks will primarily consist of researching fundraising opportunities, ensuring that application requirements are met before applications are submitted, identifying new non-grant-based fundraising opportunities and developing and implementing other fundraising ideas. Interns will complete three webinars through the Foundation Center during the semester as well and submit a one-page review of each that includes how the webinar relates to their work with Essential. The webinars are free, and archived webinars can be viewed at interns’ convenience.


To apply for this internship, please submit a resume and letter of interest to Jennifer Kimball at jennifer@essentialtheatre.com. Be sure to include “FUNDRAISING INTERNSHIP” in the subject of your email!

Sunday, August 5, 2012

Our Best Festival Ever Closes


We are grateful for our incredibly talented playwrights, cast, crew, designers and directors without whom this year's festival would not have been possible. For the first time, we produced three critically acclaimed new plays by Georgia playwrights. We also wish to thank our audience for making this our best festival ever. Watch this brief video to hear what lies ahead for Essential Theatre. 

Monday, July 23, 2012

We Have a Winner!

"Essential Theatre is proud to announce our first Walk-On Role winner for Bat-Hamlet, Cedric Floyd!
 
Cedric will be appearing in the 8pm performance this Friday, July 27. Congratulations Cedric! We look forward to sharing the stage with you!


Raffle tickets, as well as tickets to our remaining performances, are available online
. Raffle winners are drawn one week prior to the date of the performance in which they will appear. Time is running out, so get your tickets today!"


Tuesday, July 17, 2012

Ophelia Describes Hamlet from The Essential Theatre 2012 Play Festival's World Premiere Bat-Hamle




Ophelia describes her last date with Hamlet from the Essential Theatre Play Festival's world premiere of Bat-Hamlet by Jordan Pulliam.

Running in repertory July 2012 as part of the Essential Theatre's 2012 Play Festival. Visit www.EssentialTheatre.com for more information and to buy tickets!

Kate Graham as Ophelia

Saturday, June 30, 2012

Essential Shines at LMDA Confab




We're proud and happy to announce that Theroun Patterson's powerful family drama A THOUSAND CIRCLETS, winner of the 2011 Essential Theatre Playwriting Award (and successfully produced in our 2011 Festival) has been picked up for a second production -- an 8-week run at the Detroit Repertory Theatre, next spring.  That makes two Essential Award winners in a row that have gone on to a second production (the first being our 2010 prize-winner, Gabriel Dean's QUALITIES OF STARLIGHT, which was recently produced in Washington, D.C. in the Source Theater Festival).

On June 29, Theroun Patterson and Irepresented the Essential Theatre at the LMDA's Writers Night, hosted by the Alliance Theatre.  LMDA stands for Literary Managers and Dramaturgs of the Americas, and such folks from all over the country got a chance to hear about Atlanta theatres and their work with new plays, and the Essential Theatre got a lot of shout-outs from the different writers and directors speaking there. Learn more about LMDA

For the past fourteen years, the Essential Theatre has been the leading supporter and producer of new work by Georgia playwrights.  Next week we'll be opening our 2012 Essential Theatre Play Festival, running July 6 - August 5 at Actor's Express, and featuring THREE World Premieres by Georgia writers -- our first ever All-Georgia Festival!  The shows will be Topher Payne's EVELYN IN PURGATORY, Jordan Pulliam's BAT-HAMLET and THE LOCAL, a collaborative portrait of the City of Atlanta featuring the work of almost THIRTY Atlanta writers, musicians and storytellers.

Sunday, June 24, 2012

Complimentary Tickets for Teachers


The Essential Theatre offers a free ticket (and a complimentary glass of wine) for the July 5 Preview performance of its World Premiere production of Topher Payne’s EVELYN IN PURGATORY, a prize-winning drama about public school teachers.  Topher’s play won the 2012 Essential Theatre Playwriting Award for best play written by a Georgia resident.  Set in the infamous “rubber room” of New York City’s public school system, the playwright describes it as being “like The Breakfast Club for teachers.”

The Preview performance will be at 8 p.m. on July 5 in the Actor’s Express space (located in the King Plow Art Center (http://www.actors-express.com/findus/index.html).  Teachers with an i.d. will be admitted for free and can receive a complimentary glass of wine (which can be taken into the theatre).  Reservations cannot be made in advance for these free admissions, so come early!

For more information (and to watch a brief video of the playwright discuss the play with his director, Betty Hart), visit www.EssentialTheatre.com or call 404-212-0815.

Please share with your favorite teacher. 

THE LOCAL Thanks Atlanta for Your Support

As many of you know, THE LOCAL is being produced as one of three world premiere Georgia plays in the Essential Theatre Play Festival, running from July 6th through August 5th at the King Plow Arts Center--tickets are on sale now at essentialtheatre.com. THE LOCAL recently ran a fundraising campaign through KickStarter.com to enable the show to be as beautiful as we were inspired to make it, and I’m happy to say that we have met our goal! So now the production is ready to fly and we want to tell you a little about it. 

THE LOCAL is a collaborative theatre project made of short pieces that is OF Atlanta, FOR Atlanta, and BY Atlanta. Earlier this year, we sent out a call for short pieces set in Atlanta and received over 80 submissions--way more than we could use. In fact, we couldn't include some pieces that we quite liked, so we've decided to have, on one night of the Festival, an auxiliary reading of some of our favorite submissions that didn't make it into THE LOCAL -- we're calling that evening OTP (Outside The Play). 

In addition to the submissions that were chosen, the show includes pieces scripted from true stories of people who live here, some born natives, some who've chosen for various reasons to make the city their home. There are also a few commissioned pieces. And there's a character called The Conductor, dressed as a train conductor, who appears from time to time to guide the audience through the show. (After all, Atlanta did begin life as a train station called Terminus.) 

At the top of act two, The Conductor informs the audience that their tickets to the show are also tickets for a door prize and awards the lucky winner a gift certificate from an Atlanta business. We are currently soliciting donations of door prizes from Atlanta businesses that would like to be featured -- but they have to be Atlanta businesses, no chains, unless they were born or are based here. We want to support the locals! 

Another aspect of the show is the projections of photographs of actual Atlanta locations that set the stage for the different scenes. Some of the photographs were submitted by supporters through KickStarter, as were many short messages of support which we’ll put on a projected virtual graffiti wall. And a local graffiti artist is even painting a mural on part of the set. 

What we’ve striven for in developing this piece is to have voices from diverse neighborhoods, backgrounds, and communities sharing their stories. Most of us tend to go to the same places, have the same experience of the city, and most of us are ignorant of a lot of the rest of the city where we all live. We imagine the audience sitting together, peeking into each other’s Atlanta and expanding our understanding: laughing together about what we share and getting to hear from the inside about what is outside our own experience. We hope the play will stimulate a curiosity to explore and learn more about our shared hometown. 

 You can buy tickets, check out the performance schedule, and find more information about THE LOCAL at www.EssentialTheatre.com.

Monday, May 28, 2012

Our Volunteer Ushers are Essential

Essential Theatre seeks two volunteer ushers for each performance. This year's festival run July 5 through August 5, 2012 but those who sign-up early will have their choice of performances.

Simply follow the link to our OvationTix calendar and select USHER and you will be taken to a page to sign-up. Choose one or two $0 tickets. Ushers are asked to please arrive 60 minutes prior to curtain time. Preferred dress is black skirt or slacks and white shirt. After the performance, we ask that you assist in cleaning up inside the theatre space.

Parking is free at Essential Theatre @ Actors Express.  If you have questions, please email: mperloe AT essentialtheatre DOT com.

Take a picture of this neat little photo with your cell phone and it will take you to our calendar page or simply click on this link: https://www.ovationtix.com/trs/cal/31695

Saturday, May 26, 2012

The Changing Face of Theatre Criticism

The changing face of theatre criticism in Atlanta has been a subject that fascinated me for some time, having closely observed it for 25 years now. There are a lot of things I miss about the days when you'd get the Friday AJC and one or two theatre reviews would be on the front page, maybe with some more inside. And there are things about those days that I don't miss (the power that one or two reviewers had). But I can't help but see this as part of a much larger picture, how the nature of media has changed over that time (more and more rapidly, it seems). Nowadays, it seems like anybody can start a blog or a website and be a critic, and just about anybody (it takes a little more money) can start a theatre company. There's a lot to be said for this, but we've also lost a lot, and the story is still changing so much that I don't think we can really see where we're at.

What is the relationship of the artist and the critic? What has it been in the past, what is it now, and what should it be? I've been thinking for years now about writing a play or a novel about this subject, but it seems to me like the story is still emerging, and no telling where it will go next.

Peter Hardy